Andere Kunden interessierten sich auch für
![Realism and the American Dramatic Tradition]( "Realism and the American Dramatic Tradition")
Realism and the American Dramatic Tradition38,99 €![The Theatre of Tennessee Williams, Volume III: Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer]( "The Theatre of Tennessee Williams, Volume III: Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer")
The Theatre of Tennessee Williams, Volume III: Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer22,99 €![The Theatre of Tennessee Williams, Volume I: Battle of Angels, the Glass Menagerie, a Streetcar Named Desire]( "The Theatre of Tennessee Williams, Volume I: Battle of Angels, the Glass Menagerie, a Streetcar Named Desire")
The Theatre of Tennessee Williams, Volume I: Battle of Angels, the Glass Menagerie, a Streetcar Named Desire19,99 €![Speaking on Stage: Interviews with Contemporary American Playwrights]( "Speaking on Stage: Interviews with Contemporary American Playwrights")
Speaking on Stage: Interviews with Contemporary American Playwrights44,99 €![The Dramatic Authors of America]( "The Dramatic Authors of America")
The Dramatic Authors of America20,99 €![Cat on a Hot Tin Roof]( "Cat on a Hot Tin Roof")
Cat on a Hot Tin Roof13,99 €![The Voice of an American Playwright: Interviews with Horton Foote]( "The Voice of an American Playwright: Interviews with Horton Foote")
The Voice of an American Playwright: Interviews with Horton Foote19,99 €
Mimetic Disillusion reevaluates the history of modern U.S. drama in general and the dramatic art of O'Neill and Williams specifically, showing how at mid-century drama in America shifted away from representational theatre, toward a poststructuralist "disillusionment" with mimesis. The book focuses on two major writers of the 1930s and 1940s - Eugene O'Neill and Tennessee Williams - one whose writing career was just ending and the other whose career was just beginning. In new readings of their major works of this period, Long Day's Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire, Fleche develops connections to the writings of Jacques Derrida, Paul de Man, and Michel Foucault, among others, and discusses poststructuralism in the light of such modern writers as Bertolt Brecht, Antonin Artaud, and Walter Benjamin.