"Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audiovisual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music"--
"Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audiovisual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music"--
Annika Forkert is a musicologist and Lecturer in Music at the Royal Northern College of Music. She publishes on post-tonal, modern, and audio-visual British music with a focus on Elisabeth Lutyens, Ralph Vaughan Williams, and Rebecca Clarke; and on microtonal music. Her research appears in English and German.
Inhaltsangabe
Introduction; 1. Conducting personae. Clark as a conductor, 1910 1962; 2. Composing influence. Lutyens's compositional beginnings, 1938 1961; 3. Crafting music. Lutyens's scores for film and television, 1944 1975; 4. Collaborating to control. Clark and Lutyens as administrators and organisers, 1939 1960; 5. Completing the lives. Lutyens after Clark, 1962 983; Afterword; Bibliography; Main archives; Index.
Introduction; 1. Conducting personae. Clark as a conductor, 1910 1962; 2. Composing influence. Lutyens's compositional beginnings, 1938 1961; 3. Crafting music. Lutyens's scores for film and television, 1944 1975; 4. Collaborating to control. Clark and Lutyens as administrators and organisers, 1939 1960; 5. Completing the lives. Lutyens after Clark, 1962 983; Afterword; Bibliography; Main archives; Index.
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