Building on long-forgotten archives and detailed case studies, Representing Russia's Orient reveals how complex representations of oriental subjects in nineteenth-century Russian art music, which often merged elements of East and West, contributed to the formation of Russia's national identity.
Building on long-forgotten archives and detailed case studies, Representing Russia's Orient reveals how complex representations of oriental subjects in nineteenth-century Russian art music, which often merged elements of East and West, contributed to the formation of Russia's national identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Adalyat Issiyeva teaches at McGill, Carleton, and Concordia Universities in Canada. She is the author of a number of articles on Russian Orientalism, including a recent contribution to Rimsky-Korsakov and His World for the Bard Music Festival Book Series. Her research interests include Russian music, Orientalism, nationalism and identity formation, (music) ethnography, Central Asian music and culture, and the politics of representation. In addition to her academic career, she has represented Uighur traditional dance and songs at a number of folk festivals, including the Smithsonian Silk Road Festival.
Inhaltsangabe
* List of Figures * List of Musical Examples * Acknowledgements * Introduction * Chapter 1: Unveiling Tradition: Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections * Chapter 2: Building Images of the "Other": Russian Musical Ethnographies on Inorodtsy * Chapter 3: Aryanism and Asianism in the Quest for the Russian Identity * Chapter 4: Alexander Aliab'ev, Decembrism, and Russian Orient * Chapter 5: Balakirev, His Orient, and the Five * Chapter 6: Ethnographic Concerts at the Service of Empire * Appendix 1 * Appendix 2 * Bibliography * Index
* List of Figures * List of Musical Examples * Acknowledgements * Introduction * Chapter 1: Unveiling Tradition: Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections * Chapter 2: Building Images of the "Other": Russian Musical Ethnographies on Inorodtsy * Chapter 3: Aryanism and Asianism in the Quest for the Russian Identity * Chapter 4: Alexander Aliab'ev, Decembrism, and Russian Orient * Chapter 5: Balakirev, His Orient, and the Five * Chapter 6: Ethnographic Concerts at the Service of Empire * Appendix 1 * Appendix 2 * Bibliography * Index
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