"This study examines Proust's exploitation of classification systems as a means to subvert the notion of a fixed identity, laying bare Proust's radical challenges to the social order and its rigid systems of control. It draws on Judith Butler's theories of performativity to illustrate Proust's precocious portrayal of identity in the entirety of áA la Recherche du Temps Perdu as an elusive, unattainable idea that characters pursue yet fail to establish. Soldin contends that Proust does not merely deride characters' behavior, but interrogates their motivations and tendencies, exposing and…mehr
"This study examines Proust's exploitation of classification systems as a means to subvert the notion of a fixed identity, laying bare Proust's radical challenges to the social order and its rigid systems of control. It draws on Judith Butler's theories of performativity to illustrate Proust's precocious portrayal of identity in the entirety of áA la Recherche du Temps Perdu as an elusive, unattainable idea that characters pursue yet fail to establish. Soldin contends that Proust does not merely deride characters' behavior, but interrogates their motivations and tendencies, exposing and undermining the social systems that govern human performance and restrict our notion of identity"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Adeline Soldin is Associate Professor of French and Francophone Studies and contributing member of the Departments of Women's, Gender, and Sexuality Studies and Food Studies at Dickinson College, USA. Her research focuses on textual, sexual, and social transgressions in modern French literature and culture, with a particular focus on the Belle Époque. In addition to Proust, she has published on the works of Rachilde and Lucie Delarue-Mardrus.
Inhaltsangabe
Acknowledgments A Note on the Text Introduction 1. Snobs and Performative Discourse · "The Epitome of the Superior Man" · Performing "le petit clan" · Pageantry, Parody, and Wit in the Faubourg Saint-Germain 2. Inverts and the Pleasure of Performance · Qu'est-ce qu'un Charlus? · M. de Charlus's Erotic Theater · Staging a Primal Scene in Montjouvain · Watching for Pleasure 3. The Jewish Type · La belle Juive · Swann, the Assimilated · Bloch, Quintessential Jew or Exception to the Rule? 4. The Narrator's Experiential Identity · The Bedroom as moi · "Les Drames du Coucher" and the Failure to Conform · Imaginative Performances: Exploring New Identities · Embodying Fluid Identities Conclusion Notes Works Cited Index
Acknowledgments A Note on the Text Introduction 1. Snobs and Performative Discourse · "The Epitome of the Superior Man" · Performing "le petit clan" · Pageantry, Parody, and Wit in the Faubourg Saint-Germain 2. Inverts and the Pleasure of Performance · Qu'est-ce qu'un Charlus? · M. de Charlus's Erotic Theater · Staging a Primal Scene in Montjouvain · Watching for Pleasure 3. The Jewish Type · La belle Juive · Swann, the Assimilated · Bloch, Quintessential Jew or Exception to the Rule? 4. The Narrator's Experiential Identity · The Bedroom as moi · "Les Drames du Coucher" and the Failure to Conform · Imaginative Performances: Exploring New Identities · Embodying Fluid Identities Conclusion Notes Works Cited Index
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