Addressing for the first time Shakespeare's place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new t
Addressing for the first time Shakespeare's place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new t
Ailsa Grant Ferguson is Senior Lecturer in Early Modern Literature at the University of Brighton, UK.
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CONTENTS List of Figures Acknowledgements Introduction Chapter One: (Post)Punk Shakespeare, carnival and rebellion: The Filth and the Fury and Richard III Chapter Two: Shakespeare and inversion: My Own Private Idaho and Henry IV parts 1 & 2 Chapter Three: The dance of death: Dogme#4: The King is Alive and King Lear Chapter Four: Three Hamlets: Festivity and sedition Prologue: "Hamlet the reformer" i. Hamlet Liikemaailmassa (or Hamlet Goes Business, Finland, 1987, dir. Aki Kaurismaki) ii. Festen (The Celebration, 1999, Denmark) iii. Hamlet (2000, USA, dir. Michael Almereyda) Bibliography Filmography Index
CONTENTS List of Figures Acknowledgements Introduction Chapter One: (Post)Punk Shakespeare, carnival and rebellion: The Filth and the Fury and Richard III Chapter Two: Shakespeare and inversion: My Own Private Idaho and Henry IV parts 1 & 2 Chapter Three: The dance of death: Dogme#4: The King is Alive and King Lear Chapter Four: Three Hamlets: Festivity and sedition Prologue: "Hamlet the reformer" i. Hamlet Liikemaailmassa (or Hamlet Goes Business, Finland, 1987, dir. Aki Kaurismaki) ii. Festen (The Celebration, 1999, Denmark) iii. Hamlet (2000, USA, dir. Michael Almereyda) Bibliography Filmography Index
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