In Marginal Subjects, Akiko Tsuchiya shows how the figure of the deviant woman-and her counterpart, the feminized man - revealed the ambivalence of literary writers towards new methods of social control in Restoration Spain.
In Marginal Subjects, Akiko Tsuchiya shows how the figure of the deviant woman-and her counterpart, the feminized man - revealed the ambivalence of literary writers towards new methods of social control in Restoration Spain.
Akiko Tsuchiya is a professor in the Department of Romance Languages and Literatures at Washington University.
Inhaltsangabe
Acknowledgments Credits Notes on the Translations List of Illustrations Introduction: Discourses on Deviance in Nineteenth-Century Spain 1. The Deviant Female Body Under Surveillance: Galdós´s La desheredada 2. “Las Micaelas por fuera y por dentro”: Discipline and Resistance in Fortunata y Jacinta 3. Consuming Subjects: Female Reading and Deviant Sexuality in Late Nineteenth-Century Spain 4. Gender Trouble and the Crisis of Masculinity in the fin-de-siglo: Clarín’s Su único hijo and Pardo Bazán’s Memorias de un solterón 5. Gender, Orientalism, and the Performance of National Identity in Pardo Bazán’s Insolación 6. Taming the Prostitute’s Body: Desire, Knowledge, and the Naturalist Gaze in López Bago’s La prostituta series 7. Female Subjectivity and Agency in Matilde Cherner’s María Magdalena Conclusion Works Cited
Acknowledgments Credits Notes on the Translations List of Illustrations Introduction: Discourses on Deviance in Nineteenth-Century Spain 1. The Deviant Female Body Under Surveillance: Galdós´s La desheredada 2. “Las Micaelas por fuera y por dentro”: Discipline and Resistance in Fortunata y Jacinta 3. Consuming Subjects: Female Reading and Deviant Sexuality in Late Nineteenth-Century Spain 4. Gender Trouble and the Crisis of Masculinity in the fin-de-siglo: Clarín’s Su único hijo and Pardo Bazán’s Memorias de un solterón 5. Gender, Orientalism, and the Performance of National Identity in Pardo Bazán’s Insolación 6. Taming the Prostitute’s Body: Desire, Knowledge, and the Naturalist Gaze in López Bago’s La prostituta series 7. Female Subjectivity and Agency in Matilde Cherner’s María Magdalena Conclusion Works Cited
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