Frances remained focused and positive and became a successful sculptor, creating more than five hundred works of art. Still, even though she achieved the dream she strove toward during all the years of struggle, she discovered that the Dante-like Paradise she had sought and gained was instead the poet's Inferno in disguise. Her correspondence, as referenced in this remarkable biography, bears out this insight in a life often marked by unsatisfying triumph over tragedy. It presents a candid view of one of Canada's most fascinating artists of the twentieth century.
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