This book provides a reading of the performing aspects of classical music in the context of the disabled body, conceptualising disability in music as valuable difference and diversity rather than as a deficit and an endpoint.
This book provides a reading of the performing aspects of classical music in the context of the disabled body, conceptualising disability in music as valuable difference and diversity rather than as a deficit and an endpoint.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alejandro Alberto Téllez Vargas completed his PhD in 2016 as an Endeavour Postgraduate Award Holder (University of Melbourne). In 2008, he received a Fulbright Fellowship for International Postgraduate Studies at the United States of America, where he studied a master's degree in music performance with a related field of studies in music and medicine at the University of North Texas (UNT). Currently, he works at the Department of Education and Training of the Victorian Government, Australia.
Inhaltsangabe
List of Figures List of Music Examples List of Tables Acknowledgments Introduction Chapter 1. Historical Intersections between Disability and Music Performance Chapter 2. Ableism in the Socio-Musical Organisation Chapter 3. Iconography of Performers with Disabilities Chapter 4. The Visual Aspects of Disability in Piano Performance Chapter 5. Overcoming Narratives and Piano Performance Chapter 6. Ageing and Music Performance Chapter 7. Disability Identity in Music Performance Conclusion Index
List of Figures List of Music Examples List of Tables Acknowledgments Introduction Chapter 1. Historical Intersections between Disability and Music Performance Chapter 2. Ableism in the Socio-Musical Organisation Chapter 3. Iconography of Performers with Disabilities Chapter 4. The Visual Aspects of Disability in Piano Performance Chapter 5. Overcoming Narratives and Piano Performance Chapter 6. Ageing and Music Performance Chapter 7. Disability Identity in Music Performance Conclusion Index
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