Shows, contrary to the traditional view, that the major authors of German literary realism not only thematized environmental transformation but that it was central to their aesthetics.
Shows, contrary to the traditional view, that the major authors of German literary realism not only thematized environmental transformation but that it was central to their aesthetics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
ALEXANDER ROBERT PHILLIPS holds a PhD in German Studies from Cornell University and is Assistant Professor of English, Ashoka University, India.
Inhaltsangabe
Acknowledgments List of Illustrations List of Abbreviations Introduction: Industrialization, Environmental Degradation, and the Aesthetics of Realism 1. Environmental Counterfictions: The Ethical Domination of Nature in Adalbert Stifter 2. The Styx Flows through Arcadia: Environmental Depredation and Aesthetic Reflection in Wilhelm Raabe's Late Fiction 3. Hydrologic Engineering, Social Change, and the Persistence of the Fantastic in Theodor Storm's Der Schimmelreiter 4. The Poetics of an Emerging Anthropocene: Theodor Fontane's Der Stechlin Conclusion The Nature of Realism Bibliography Index
Acknowledgments List of Illustrations List of Abbreviations Introduction: Industrialization, Environmental Degradation, and the Aesthetics of Realism 1. Environmental Counterfictions: The Ethical Domination of Nature in Adalbert Stifter 2. The Styx Flows through Arcadia: Environmental Depredation and Aesthetic Reflection in Wilhelm Raabe's Late Fiction 3. Hydrologic Engineering, Social Change, and the Persistence of the Fantastic in Theodor Storm's Der Schimmelreiter 4. The Poetics of an Emerging Anthropocene: Theodor Fontane's Der Stechlin Conclusion The Nature of Realism Bibliography Index
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