Alison Levinge explains the approaches of four child development theorists and explores how they apply to and inform the practice of music therapy. The focus is on D.W. Winnicott whose infant theory is influenced by the medium of music and resonates with the central aspects of music therapy.
Alison Levinge explains the approaches of four child development theorists and explores how they apply to and inform the practice of music therapy. The focus is on D.W. Winnicott whose infant theory is influenced by the medium of music and resonates with the central aspects of music therapy.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction. 1. Object Relations. 2. The Language of Music and the Music of Winnicott. 3. The Music of Beginning. 4. Holding and the Early Environment. 5. The Observation of Infants in a Set Situation. 6. Transitional Objects and the Transitional Phenomena. 7. The Use of an Object and Relating through Identifications. 7.1. Aggression. 7.2. Hate. 8. Playing. 8.1. Theory of Play. 8.2. Musical Play. 9. A Sense of Self and Music Therapy. 10. Transference and Countertransference. 11. Therapeutic Practice. References.
Introduction. 1. Object Relations. 2. The Language of Music and the Music of Winnicott. 3. The Music of Beginning. 4. Holding and the Early Environment. 5. The Observation of Infants in a Set Situation. 6. Transitional Objects and the Transitional Phenomena. 7. The Use of an Object and Relating through Identifications. 7.1. Aggression. 7.2. Hate. 8. Playing. 8.1. Theory of Play. 8.2. Musical Play. 9. A Sense of Self and Music Therapy. 10. Transference and Countertransference. 11. Therapeutic Practice. References.
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