Aliyyah I. Abdur-Rahman examines how contemporary avant-garde black art and writing by Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill use experimental methods to represent and imaginatively remediate racial harm.
Aliyyah I. Abdur-Rahman examines how contemporary avant-garde black art and writing by Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill use experimental methods to represent and imaginatively remediate racial harm.
Aliyyah I. Abdur-Rahman is Associate Professor of English and American Studies at Brown University and the author of Against the Closet: Black Political Longing and the Erotics of Race, also published by Duke University Press.
Inhaltsangabe
Introduction. Toward a Radical Theory of the Black Avant-Garde 1 1. Black Grotesquerie 25 2. Hollowed Blackness 49 3. Black Cacophony 77 4. The Black Ecstatic 105 Epilogue. On Sustenance and Suture 131 Acknowledgments 137 Notes 141 Bibliography 157 Index 165
Introduction. Toward a Radical Theory of the Black Avant-Garde 1 1. Black Grotesquerie 25 2. Hollowed Blackness 49 3. Black Cacophony 77 4. The Black Ecstatic 105 Epilogue. On Sustenance and Suture 131 Acknowledgments 137 Notes 141 Bibliography 157 Index 165
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