This book illuminates the history of popular dance, one of the most influential and widespread leisure practices in early twentieth-century Britain. It focuses on the relationship between dancing and national identity construction, in a period when Britain participated in increasingly global markets of cultural production, consumption and exchange.
This book illuminates the history of popular dance, one of the most influential and widespread leisure practices in early twentieth-century Britain. It focuses on the relationship between dancing and national identity construction, in a period when Britain participated in increasingly global markets of cultural production, consumption and exchange.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Allison Abra is Assistant Professor of History and a Fellow in the Dale Center for the Study of War & Society at the University of Southern Mississippi
Inhaltsangabe
Introduction 1 Dancing mad! The modernisation of popular dance 2 Who makes new dances? The dance profession and the evolution of style 3 At the palais: the dance hall industry and the standardisation of experience 4 The dance evil: gender, sexuality and the representation of popular dance 5 English style: foreign culture, race and the Anglicisation of popular dance 6 Doing the Lambeth Walk: novelty dances and the commodification of the nation 7 Dancing democracy in wartime Britain 8 The 'infernal jitterbug' and the transformation of popular dance Epilogue: Come dancing: popular dance in post-war Britain Select bibliography Index
Introduction 1 Dancing mad! The modernisation of popular dance 2 Who makes new dances? The dance profession and the evolution of style 3 At the palais: the dance hall industry and the standardisation of experience 4 The dance evil: gender, sexuality and the representation of popular dance 5 English style: foreign culture, race and the Anglicisation of popular dance 6 Doing the Lambeth Walk: novelty dances and the commodification of the nation 7 Dancing democracy in wartime Britain 8 The 'infernal jitterbug' and the transformation of popular dance Epilogue: Come dancing: popular dance in post-war Britain Select bibliography Index
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