Writing Translations and Adaptations for the Stage is a practical guide for writing adapted works for theatrical performance, taking readers step-by-step through the brainstorming, writing, revision, and performance processes for translations and adaptations.
Writing Translations and Adaptations for the Stage is a practical guide for writing adapted works for theatrical performance, taking readers step-by-step through the brainstorming, writing, revision, and performance processes for translations and adaptations.
Jacqueline Goldfinger is an award-winning playwright, dramaturg, and librettist who has adapted a wide variety of material for the stage, including Madeleine L'Engle's classic A Wind in the Door for the John F. Kennedy Center for the Performing Arts. She is also the author of Playwriting with Purpose (Routledge, 2021). She received her MFA from the University of Southern California. For more information, visit www.jacquelinegoldfinger.com. Allison Horsley is a Broadway dramaturg and translator who has also worked on US regional stages and internationally, including on the Broadway and West End hit Jersey Boys. She received her MFA from the Yale School of Drama. For more information, visit www.allisonhorsley.com.
Inhaltsangabe
1. Brainstorming for Adaptation 2. Writing an Adaptation 3. Writing a Translation 4. Production 5. Case Study: Adaptation The Little Mermaid 6. Case Study: Translation The Cherry Orchard 7. Thoughts on Adaptation in Other Performative Modes
1. Brainstorming for Adaptation 2. Writing an Adaptation 3. Writing a Translation 4. Production 5. Case Study: Adaptation The Little Mermaid 6. Case Study: Translation The Cherry Orchard 7. Thoughts on Adaptation in Other Performative Modes
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