Andere Kunden interessierten sich auch für
![The Lewes House Collection of Ancient Gems [now at the Museum of Fine Arts, Boston] by J.D. Beazley, Student of Christ Church, 1920]( "The Lewes House Collection of Ancient Gems [now at the Museum of Fine Arts, Boston] by J.D. Beazley, Student of Christ Church, 1920")
The Lewes House Collection of Ancient Gems [now at the Museum of Fine Arts, Boston] by J.D. Beazley, Student of Christ Church, 192069,99 €![Further Papers on the Subject of Sunday Labour in the Colonies]( "Further Papers on the Subject of Sunday Labour in the Colonies")
Further Papers on the Subject of Sunday Labour in the Colonies12,90 €![A Righte Merrie Christmasse The Story of Christ-Tide]( "A Righte Merrie Christmasse The Story of Christ-Tide")
A Righte Merrie Christmasse The Story of Christ-Tide14,90 €![Christ Returns from the Jungle]( "Christ Returns from the Jungle")
Christ Returns from the Jungle41,99 €![Christ Returns from the Jungle]( "Christ Returns from the Jungle")
Christ Returns from the Jungle98,99 €![The United Church of Christ in the Shenandoah Valley]( "The United Church of Christ in the Shenandoah Valley")
The United Church of Christ in the Shenandoah Valley127,99 €![A Constructively Critical Conversation between Nonviolent and Substitutionary Perspectives on Atonement]( "A Constructively Critical Conversation between Nonviolent and Substitutionary Perspectives on Atonement")
A Constructively Critical Conversation between Nonviolent and Substitutionary Perspectives on Atonement36,99 €
![The Lewes House Collection of Ancient Gems [now at the Museum of Fine Arts, Boston] by J.D. Beazley, Student of Christ Church, 1920](https://bilder.buecher.de/produkte/48/48995/48995188m.jpg "The Lewes House Collection of Ancient Gems [now at the Museum of Fine Arts, Boston] by J.D. Beazley, Student of Christ Church, 1920")
This study takes as its subject a striking image found in fifteenth-century churches, paintings whose purpose is to warn the faithful of the consequences of working on Sundays. This detailed study of pictures of Christ, surrounded and wounded by the tools of everyday trades used on holy days, offers an in-depth exploration of a theologically complex subject. It illuminates many aspects of the functioning of late medieval devotion and the active role imagery could play in the formation and practice of devotional morality and communal identity. The medium of wall painting receives overdue attention as an arena of medieval artistic production and is shown to be the site of pictorial innovation and parochial expression.