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"B/RDS endeavors to dismantle discourses that create an artificial distinction between nature and humanity through a subversive erasure of an iconic work of natural history: John James Audubon's Birds of America (1827-1838). This process of erasure considers the text of Birds of America as an archival cage. The author selectively erases words from the textual cage to reveal its ambiguity and the complex relationship between humanity and the other-than-human world. As the cage disappears, leaving a space for scarce, lyrical poems, birds break free, their voices inextricably entangled with ours"--…mehr

Produktbeschreibung
"B/RDS endeavors to dismantle discourses that create an artificial distinction between nature and humanity through a subversive erasure of an iconic work of natural history: John James Audubon's Birds of America (1827-1838). This process of erasure considers the text of Birds of America as an archival cage. The author selectively erases words from the textual cage to reveal its ambiguity and the complex relationship between humanity and the other-than-human world. As the cage disappears, leaving a space for scarce, lyrical poems, birds break free, their voices inextricably entangled with ours"--
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Autorenporträt
Béatrice Szymkowiak is a French-American writer and scholar. She graduated with an MFA in Creative Writing from the Institute of American Indian Arts in 2017, and obtained a PhD in English/Creative Writing from the University of Wisconsin-Milwaukee in 2022. She is the author of RED ZONE (Finishing Line Press, 2018), a poetry chapbook, as well as the winner of the 2017 Omnidawn Single Poem Broadside Contest. Her work also has appeared in Terrain.org, Portland Review, OmniVerse, Southern Humanities Review, and many others.