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While the "standard" version of the Ramayana is a 14th-century Sanskrit text by Valmiki, the diversity and adaptability of this narrative are extraordinary. Many regions and languages have their own versions of the tale that they consider authoritative. In addition, the basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is, in one form or another, read, recited, sung, danced, and acted. Yet the vast majority of scholarship on the Ramayana has dealt exclusively with the textual editions, and mainly with Valmiki's Sanskrit version. In this volume, fourteen…mehr

Produktbeschreibung
While the "standard" version of the Ramayana is a 14th-century Sanskrit text by Valmiki, the diversity and adaptability of this narrative are extraordinary. Many regions and languages have their own versions of the tale that they consider authoritative. In addition, the basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is, in one form or another, read, recited, sung, danced, and acted. Yet the vast majority of scholarship on the Ramayana has dealt exclusively with the textual editions, and mainly with Valmiki's Sanskrit version. In this volume, fourteen leading Ramayana scholars examine the epic in its myriad contexts throughout South and Southeast Asia.
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Autorenporträt
Mandakranta Bose is Professor Emeritus and former Director of the Centre for India and South Asia Research at the Institute of Asian Research, University of British Columbia, Vancouver, Canada, where she is currently Director of the Programme in Intercultural Studies in Asia. She is the author of many books and articles on the classical dance of India, Sanskrit and other Indian literatures, and women's issues. Among her many publications is an edited volume, Faces of the Feminine in Ancient, Medieval and Modern India (OUP, 2000).