Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
BARBARA GENTILI is Surrey Future Senior Fellow at the University of Surrey. She holds a PhD in Musicology from the Royal College of Music. She is also an accomplished soprano and opera singer.
Inhaltsangabe
Introduction 1 Changing Italian Opera: Verismo, Singers and the Foreigners Framing Verismo The Features of Verismo Singing: New Demands on Modern Singers The French, Changes in Dramaturgy and Librettos Winds of Change from the North The Anti-Modern Crusade of Vocal Pedagogues 2 Vocal Registers: Defining Key Terms The Concept of Vocal Register Register Division Theories Survey of Key Historical Vocal Treatises Aesthetics of Vocal Registration in the Latter Part of the Nineteenth Century 3 The Components of Modern Singing A Few Essentials of Modern Singing Bel Canto Encounters Verismo: Nellie Melba versus Emma Carelli More on the Passaggio: Mattia Battistini versus Titta Ruffo and the Veristizzazione of Bel Canto The Granitic Diction of the Modern Singer 4 The Pathway to Modern Singing: The Tenor at the Time of Caruso In Search of Modernity Caruso's 'Naturalness' and 'Spontaneity': Between Production and Reception The Top C 'from the Chest': Between the Myth and the Recorded Evidence Some Preliminary Conclusions on the Natural Singing of Caruso 5 Italian Sopranos and the Disruption of Tradition The Verismo Sopranos Eugenia Burzio and Emma Carelli The Chest Voice on Record The Medium Register: Vocal Modulations and the Spoken Theatre The Upper Register Conclusions Bibliography Discography Index
Introduction 1 Changing Italian Opera: Verismo, Singers and the Foreigners Framing Verismo The Features of Verismo Singing: New Demands on Modern Singers The French, Changes in Dramaturgy and Librettos Winds of Change from the North The Anti-Modern Crusade of Vocal Pedagogues 2 Vocal Registers: Defining Key Terms The Concept of Vocal Register Register Division Theories Survey of Key Historical Vocal Treatises Aesthetics of Vocal Registration in the Latter Part of the Nineteenth Century 3 The Components of Modern Singing A Few Essentials of Modern Singing Bel Canto Encounters Verismo: Nellie Melba versus Emma Carelli More on the Passaggio: Mattia Battistini versus Titta Ruffo and the Veristizzazione of Bel Canto The Granitic Diction of the Modern Singer 4 The Pathway to Modern Singing: The Tenor at the Time of Caruso In Search of Modernity Caruso's 'Naturalness' and 'Spontaneity': Between Production and Reception The Top C 'from the Chest': Between the Myth and the Recorded Evidence Some Preliminary Conclusions on the Natural Singing of Caruso 5 Italian Sopranos and the Disruption of Tradition The Verismo Sopranos Eugenia Burzio and Emma Carelli The Chest Voice on Record The Medium Register: Vocal Modulations and the Spoken Theatre The Upper Register Conclusions Bibliography Discography Index
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