"A historical and critical study of the great Italian Renaissance architect Donato Bramante, but also a polemic, even manifesto, about contemporary architectural practice"--
"A historical and critical study of the great Italian Renaissance architect Donato Bramante, but also a polemic, even manifesto, about contemporary architectural practice"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pier Paolo Tamburelli is an architect. One of the founding partners of baukuh and a former editor of San Rocco, he currently holds the Chair of Design Theory at the Technical University of Vienna.
Inhaltsangabe
Introduction VIII PART I: LOGICAL WORK INDIFFERENCE 2 1 Rome, wie ich sie vorfand 3 2 As a snake sheds its skin 7 3 La bella maniera degli antichi 10 4 No style 16 5 Architecture implies the city 20 6 Pantheon + Basilca of Maxentius 25 UNIVERSALISM 30 7 Universal language 31 8 Architecture non parlante 34 9 Text envy 39 10 Architecture as painting 41 11 Order of all the orders 46 12 Against Roman architecture 50 13 Eclecticism and classicism 52 14 Classicism, colonialism 54 ABSTRACTION 58 15 Distance 59 16 Difficulta grandissima 61 17 Remote future 65 18 The object is simple 69 19 Form follows function 71 20 Abstract architecture is public 73 INTERMEZZO: DANTE, GIOTTO, PIERO, BRAMANTE 77 PART II: POLITICAL WORK REALISM 96 21 After seeing the cathedral 97 22 Angeborener kritischer Verstand 101 23 Prevedari Engraving 107 24 Opportunities and propaganda 111 25 Tempietto 117 26 Kolossal 121 27 The conquest of Beauty 124 SPACE 128 28 Walls 129 29 Spectacle of pace 135 30 Space and images of space 144 31 Evidence of space 151 32 Experience of space 155 33 A brief and not all that complicated theory of space 157 34 Form of the void 158 COMMUNITY 162 35 Public work 163 36 Impresario 166 37 Work is exhausting 172 38 Public space 174 39 Public architecture is abstract 176 40 Architecture as art 181 41 Demolishing St. Peter's 184 42 Rebuilding St. Peter's 193 43 Ninety-five theses 202 Notes 206 Index 268
Introduction VIII PART I: LOGICAL WORK INDIFFERENCE 2 1 Rome, wie ich sie vorfand 3 2 As a snake sheds its skin 7 3 La bella maniera degli antichi 10 4 No style 16 5 Architecture implies the city 20 6 Pantheon + Basilca of Maxentius 25 UNIVERSALISM 30 7 Universal language 31 8 Architecture non parlante 34 9 Text envy 39 10 Architecture as painting 41 11 Order of all the orders 46 12 Against Roman architecture 50 13 Eclecticism and classicism 52 14 Classicism, colonialism 54 ABSTRACTION 58 15 Distance 59 16 Difficulta grandissima 61 17 Remote future 65 18 The object is simple 69 19 Form follows function 71 20 Abstract architecture is public 73 INTERMEZZO: DANTE, GIOTTO, PIERO, BRAMANTE 77 PART II: POLITICAL WORK REALISM 96 21 After seeing the cathedral 97 22 Angeborener kritischer Verstand 101 23 Prevedari Engraving 107 24 Opportunities and propaganda 111 25 Tempietto 117 26 Kolossal 121 27 The conquest of Beauty 124 SPACE 128 28 Walls 129 29 Spectacle of pace 135 30 Space and images of space 144 31 Evidence of space 151 32 Experience of space 155 33 A brief and not all that complicated theory of space 157 34 Form of the void 158 COMMUNITY 162 35 Public work 163 36 Impresario 166 37 Work is exhausting 172 38 Public space 174 39 Public architecture is abstract 176 40 Architecture as art 181 41 Demolishing St. Peter's 184 42 Rebuilding St. Peter's 193 43 Ninety-five theses 202 Notes 206 Index 268
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