Beate Julia Perrey is Junior Research Fellow in Music at Christ's College Cambridge. She writes on music, art and poetry.
Inhaltsangabe
List of illustrations Foreword Preface Acknowledgements Abbreviations Introduction Part I. Early Romantic Forms of Difference: 1. Introduction 2. The Romantic fragment 3. Romantic irony 4. Reflection, language and music 5. Theories of song: Schumann's 'higher sphere of art' Part II. Heine's Signature of Modernity: The Lyrisches Intermezzo: 6. Introduction 7. Heine, the Romantics and disenchantment 8. Endings, cuts, cyclicity 9. Heine's imago of a woman 10. The genesis of the Buch der Lieder Part III. The Poetics of Dichterliebe: 11. Introduction 12. Schumann's reception of Heine and the Buch der Lieder 13. Musico-poetic analysis Conclusion Bibliography Index.
List of illustrations Foreword Preface Acknowledgements Abbreviations Introduction Part I. Early Romantic Forms of Difference: 1. Introduction 2. The Romantic fragment 3. Romantic irony 4. Reflection, language and music 5. Theories of song: Schumann's 'higher sphere of art' Part II. Heine's Signature of Modernity: The Lyrisches Intermezzo: 6. Introduction 7. Heine, the Romantics and disenchantment 8. Endings, cuts, cyclicity 9. Heine's imago of a woman 10. The genesis of the Buch der Lieder Part III. The Poetics of Dichterliebe: 11. Introduction 12. Schumann's reception of Heine and the Buch der Lieder 13. Musico-poetic analysis Conclusion Bibliography Index.
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