Drawing on media sociology and group interviews, this book looks at social representations of romantic love as portrayed in films and interpreted by their audiences, using cinema as a means for analysing the state of romantic love today, and the touchpoints and disconnects between its representation on screen and our lived experiences.
Drawing on media sociology and group interviews, this book looks at social representations of romantic love as portrayed in films and interpreted by their audiences, using cinema as a means for analysing the state of romantic love today, and the touchpoints and disconnects between its representation on screen and our lived experiences.
Benjamín de la Pava Vélez is a sociologist with a PhD in Media and Communication from the London School of Economics with a keen interest in the sociology of emotions, mediatisation, representations and critical theory.
Inhaltsangabe
Introduction 1. Celluloid love: Romance ideology and self-commodification 2. Audience research audiences of romance 3. Love and technology: Control affordances and prejudice 4. A class apart: Love expectation and the middle-class construction of self 5. Of happy endings and new men 6. Conclusion
Introduction 1. Celluloid love: Romance ideology and self-commodification 2. Audience research audiences of romance 3. Love and technology: Control affordances and prejudice 4. A class apart: Love expectation and the middle-class construction of self 5. Of happy endings and new men 6. Conclusion
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