In Musical Motives, author Brent Auerbach look at the ways that motives--or the small-scale pitch and rhythm shapes ever-present in music--tie musical compositions together, and why we remember some more than others.
In Musical Motives, author Brent Auerbach look at the ways that motives--or the small-scale pitch and rhythm shapes ever-present in music--tie musical compositions together, and why we remember some more than others.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brent Auerbach, Associate Professor of Music Theory, University of Massachusetts Amherst Brent Auerbach is Associate Professor of Music Theory at the University of Massachusetts Amherst. His research focuses on formalizing the concept of the musical motive and extending its applications for analysis. Other research interests include the music of Brahms, the aesthetics of Baroque composition and counterpoint, harmonic sequences, and music theory pedagogy. Dr. Auerbach has published articles in The Journal of Music Theory, Music Theory Online, Theory and Practice, Intégral, and in The Routledge Companion to Music Theory Pedagogy, ed. by Leigh VanHandel (2020).
Inhaltsangabe
* PART I: Establishing Grounds for a Discipline of Motivic Analysis * Chapter 1: Introduction to Motives * Chapter 2: A Brief History of Motives, Composition * Chapter 3: A History of Motives, Theory and Analysis * PART II: Methodology * Chapter 4: A Universal Nomenclature for Pitch and Rhythm Motives * Chapter 5: Basic Motivic Analysis (BMA) * Interlude 1 - On the Role of Narrative in Motivic Analysis in General and Its Role in BMA in Particular * Chapter 6: Exemplars of Basic Motivic Analysis * Interlude 2 - Narrative Archetypes of Complex Motivic Analysis (CMA) * Chapter 7: Complex Motivic Analysis 278 * PART III: Analysis and Conclusion * Chapter 8 - Analysis of Three Works in Contrasting Styles * Chapter 9: Conclusion - The Future Promise and Persistent Limitations of Motivic Analysis * Selected Bibliography * Index
* PART I: Establishing Grounds for a Discipline of Motivic Analysis * Chapter 1: Introduction to Motives * Chapter 2: A Brief History of Motives, Composition * Chapter 3: A History of Motives, Theory and Analysis * PART II: Methodology * Chapter 4: A Universal Nomenclature for Pitch and Rhythm Motives * Chapter 5: Basic Motivic Analysis (BMA) * Interlude 1 - On the Role of Narrative in Motivic Analysis in General and Its Role in BMA in Particular * Chapter 6: Exemplars of Basic Motivic Analysis * Interlude 2 - Narrative Archetypes of Complex Motivic Analysis (CMA) * Chapter 7: Complex Motivic Analysis 278 * PART III: Analysis and Conclusion * Chapter 8 - Analysis of Three Works in Contrasting Styles * Chapter 9: Conclusion - The Future Promise and Persistent Limitations of Motivic Analysis * Selected Bibliography * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826