This book explores the effects of modernization on the study, practice and performance of Balinese traditional arts, especially the shadow play, based on discourses ranging from performers to administrators.
This book explores the effects of modernization on the study, practice and performance of Balinese traditional arts, especially the shadow play, based on discourses ranging from performers to administrators.
List of Figures List of Tables List of Plates Preface Acknowledgments Introduction PART ONE: MUSICAL DISCOURSES FROM SUKAWATI: THE TRANSITION FROM TRADITIONAL TO MODERN Chapter One: Historical Accounts of the Shadow Play Tradition in Banjar Babakan, Sukawati Chapter Two: Bapak I Wayan Loceng: Proverbs, Metaphors, and Musical Techniques Chapter Three: Interviews with the Young Generation of Shadow Play Performers in Banjar Babakan, Sukawati PART TWO: MUSICAL DISCOURSES IN THE CONTEXT OF STSI, THE INDONESIAN COLLEGE FOR THE ARTS IN DENPASAR, BALI: STSI AS A MIRROR OF MODERNIZATION BASED ON CONTINUITY AND CHANGE Chapter Four: The Practices and Principles of STSI Chapter Five: STSI and Scholarship: Balinese Written Discourses on Music and the Shadow Play Chapter Six: The Political Role of STSI Conclusion Appendix 1: Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations Appendix 2: Key to the Notation and Musical Transcription of Sulendra Appendix 3: Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations with Faculty and Students at STSI as well as Brief Citations of Balinese Written Discourses Appendix 4: The Opening Four Verses of Prakempa: Sebuah Lontar Gambelan Bali Notes Glossary Bibliography Index
List of Figures List of Tables List of Plates Preface Acknowledgments Introduction PART ONE: MUSICAL DISCOURSES FROM SUKAWATI: THE TRANSITION FROM TRADITIONAL TO MODERN Chapter One: Historical Accounts of the Shadow Play Tradition in Banjar Babakan, Sukawati Chapter Two: Bapak I Wayan Loceng: Proverbs, Metaphors, and Musical Techniques Chapter Three: Interviews with the Young Generation of Shadow Play Performers in Banjar Babakan, Sukawati PART TWO: MUSICAL DISCOURSES IN THE CONTEXT OF STSI, THE INDONESIAN COLLEGE FOR THE ARTS IN DENPASAR, BALI: STSI AS A MIRROR OF MODERNIZATION BASED ON CONTINUITY AND CHANGE Chapter Four: The Practices and Principles of STSI Chapter Five: STSI and Scholarship: Balinese Written Discourses on Music and the Shadow Play Chapter Six: The Political Role of STSI Conclusion Appendix 1: Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations Appendix 2: Key to the Notation and Musical Transcription of Sulendra Appendix 3: Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations with Faculty and Students at STSI as well as Brief Citations of Balinese Written Discourses Appendix 4: The Opening Four Verses of Prakempa: Sebuah Lontar Gambelan Bali Notes Glossary Bibliography Index
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