This book analyzes the trajectory of the major theatre institutions and companies under the rule of the Justice and Development Party (AKP) in Turkey. Seyben studies several institutions, companies, and artists that have managed to survive despite an increasingly authoritarian system marked by censorship, exile, closures, and oppression.
This book analyzes the trajectory of the major theatre institutions and companies under the rule of the Justice and Development Party (AKP) in Turkey. Seyben studies several institutions, companies, and artists that have managed to survive despite an increasingly authoritarian system marked by censorship, exile, closures, and oppression.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Section I: Theatre Systems Chapter 1: Theatre Institutions and Systems through Cultural Policies in Turkey: Historical Overview and Categorization Section II: Subsidized Theatres Chapter 2: The AKP's Taming of the Istanbul City Theatre and its Artists Chapter 3: Denial of Heritage: The Case of the State Theatre Section III: Decentralized Theatres Chapter 4: "Belief in Another World Still Persists": The Independent and Commercial Theatres Chapter 5: Towards a More Decentralized Cultural Policy: The Kad köy and Nilüfer District Municipalities Section IV: Oppressed Theatres Chapter 6: Battle on Many Fronts: The Case of ermola Performans Chapter 7: Cultural Oppression at the Local Government Level: The Diyarbak r City Theatre Chapter 8: "My Life Has Become More Absurd than My Play": Mi Minör and the Crackdown on Artistic Freedom in Turkey Conclusion
Section I: Theatre Systems Chapter 1: Theatre Institutions and Systems through Cultural Policies in Turkey: Historical Overview and Categorization Section II: Subsidized Theatres Chapter 2: The AKP's Taming of the Istanbul City Theatre and its Artists Chapter 3: Denial of Heritage: The Case of the State Theatre Section III: Decentralized Theatres Chapter 4: "Belief in Another World Still Persists": The Independent and Commercial Theatres Chapter 5: Towards a More Decentralized Cultural Policy: The Kad köy and Nilüfer District Municipalities Section IV: Oppressed Theatres Chapter 6: Battle on Many Fronts: The Case of ermola Performans Chapter 7: Cultural Oppression at the Local Government Level: The Diyarbak r City Theatre Chapter 8: "My Life Has Become More Absurd than My Play": Mi Minör and the Crackdown on Artistic Freedom in Turkey Conclusion
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