As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions.
As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Contents: Introduction Scott: Scott's audiences, knowledge and inclinations Scott and false intertexts Scott's use of allusion to traditional song Scott's Contemporaries: Galt and Hogg Mitford Scott's Legacy, and Three Muscular Christians: Mid-Nineteenth-century novelists Borrow Kingsley Hughes Gaskell Dickens and Thackeray: Some new contexts Dickens: a withdrawal from narrative commitment Thackeray, popular song and gender politics Jefferies Hardy: Hardy's background and musical milieux Church bands Traditional dance and song Conclusion Appendices: The song sequence in Redgauntlet Hardy's collection of 'Country Songs of 1820 Onwards' Bibliography Index.
Contents: Introduction Scott: Scott's audiences, knowledge and inclinations Scott and false intertexts Scott's use of allusion to traditional song Scott's Contemporaries: Galt and Hogg Mitford Scott's Legacy, and Three Muscular Christians: Mid-Nineteenth-century novelists Borrow Kingsley Hughes Gaskell Dickens and Thackeray: Some new contexts Dickens: a withdrawal from narrative commitment Thackeray, popular song and gender politics Jefferies Hardy: Hardy's background and musical milieux Church bands Traditional dance and song Conclusion Appendices: The song sequence in Redgauntlet Hardy's collection of 'Country Songs of 1820 Onwards' Bibliography Index.
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