Galina Kopytova is a scholar and archivist specializing in the history of Russian musical culture. She heads the Office of Manuscripts of the Russian Institute for the History of the Arts in Saint Petersburg and is author of The Society for Jewish Folk Music in St. Petersburg-Petrograd (in Russian) and coauthor of From the History of Jewish Music in Russia (in Russian). Translator Alexandra Sarlo has studied and conducted research in Russia, Slovakia, Serbia, and Ukraine. Translator Dario Sarlo worked as a researcher on the documentary Jascha Heifetz: God¿s Fiddler by Peter Rosen Productions. He is a musicologist, violinist, and writer for The Strad.…mehr
Galina Kopytova is a scholar and archivist specializing in the history of Russian musical culture. She heads the Office of Manuscripts of the Russian Institute for the History of the Arts in Saint Petersburg and is author of The Society for Jewish Folk Music in St. Petersburg-Petrograd (in Russian) and coauthor of From the History of Jewish Music in Russia (in Russian). Translator Alexandra Sarlo has studied and conducted research in Russia, Slovakia, Serbia, and Ukraine. Translator Dario Sarlo worked as a researcher on the documentary Jascha Heifetz: God¿s Fiddler by Peter Rosen Productions. He is a musicologist, violinist, and writer for The Strad.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Galina Kopytova is a scholar and archivist specializing in the history of Russian musical culture. She heads the Office of Manuscripts of the Russian Institute for the History of the Arts in Saint Petersburg and is author of The Society for Jewish Folk Music in St. Petersburg-Petrograd (in Russian) and coauthor of From the History of Jewish Music in Russia (in Russian). Translator Alexandra Sarlo has studied and conducted research in Russia, Slovakia, Serbia, and Ukraine. Translator Dario Sarlo worked as a researcher on the documentary Jascha Heifetz: God's Fiddler by Peter Rosen Productions. He is a musicologist, violinist, and writer for The Strad.
Inhaltsangabe
Author's Preface Editors' Introduction Foreign Words List List of Abbreviations 1. Early Roots of the Heifetz Family 2. 1901-1906: Vilnius 3. 1906-1909: Music School 4. 1910: St. Petersburg Conservatory and Nalbandian 5. First Performances in St. Petersburg 6. Summer 1911: Concerts in Pavlovsk and Odessa 7. Fall 1911: In the Class of Professor Auer 8. The Beginning of 1912 9. 1912: First Trip to Germany 10. 1912: A German Tour 11. The Beginning of 1913 12. Summer-Fall 1913: Loschwitz 13. Winter 1913-1914: Bar Mitzvah 14. Spring 1914 15. Summer-Fall 1914: War 16. January-September 1915 17. The End of 1915 18. The First Half of 1916 19. The Second Half of 1916: Norway and Denmark 20. The First Half of 1917: February Revolution 21. Summer 1917: Departure for America Appendix 1: Reviews of Jascha Heifetz's Debut at Carnegie Hall, October 27, 1917 Appendix 2: Jascha Heifetz's Repertoire in Russia Notes Selected Bibliography Index
Author's Preface Editors' Introduction Foreign Words List List of Abbreviations 1. Early Roots of the Heifetz Family 2. 1901-1906: Vilnius 3. 1906-1909: Music School 4. 1910: St. Petersburg Conservatory and Nalbandian 5. First Performances in St. Petersburg 6. Summer 1911: Concerts in Pavlovsk and Odessa 7. Fall 1911: In the Class of Professor Auer 8. The Beginning of 1912 9. 1912: First Trip to Germany 10. 1912: A German Tour 11. The Beginning of 1913 12. Summer-Fall 1913: Loschwitz 13. Winter 1913-1914: Bar Mitzvah 14. Spring 1914 15. Summer-Fall 1914: War 16. January-September 1915 17. The End of 1915 18. The First Half of 1916 19. The Second Half of 1916: Norway and Denmark 20. The First Half of 1917: February Revolution 21. Summer 1917: Departure for America Appendix 1: Reviews of Jascha Heifetz's Debut at Carnegie Hall, October 27, 1917 Appendix 2: Jascha Heifetz's Repertoire in Russia Notes Selected Bibliography Index
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