"A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists"--
"A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists"--
Greg M. Colón Semenza and Garrett A. Sullivan, Jr.
Inhaltsangabe
Introduction Part One 1. "You are English. I am German. We are enemies": Anticipating Propaganda in The Spy in Black 2. "Taking the War Against Hitler": Blockade and Blackout in Contraband Part Two 3. 49th Parallel and the Dangerous Interpretability of Wartime Propaganda 4. From "We Can Take It" to "V for Victory": Agency, Gender, and Propaganda in One of Our Aircraft is Missing 5. "England Isn't as Bad as All That": Propaganda and Censorship in The Life and Death of Colonel Blimp Part Three 6. "The Values That We Are Fighting For": Reconciling Tradition and Modernity in A Canterbury Tale 7. Building Up a New Britain: Scotland and Post-War Reconstruction in I Know Where I'm Going! 8. "Conservative by Nature, Labour by Experience": The Propaganda of Futurity in A Matter of Life and Death Coda Index
Introduction Part One 1. "You are English. I am German. We are enemies": Anticipating Propaganda in The Spy in Black 2. "Taking the War Against Hitler": Blockade and Blackout in Contraband Part Two 3. 49th Parallel and the Dangerous Interpretability of Wartime Propaganda 4. From "We Can Take It" to "V for Victory": Agency, Gender, and Propaganda in One of Our Aircraft is Missing 5. "England Isn't as Bad as All That": Propaganda and Censorship in The Life and Death of Colonel Blimp Part Three 6. "The Values That We Are Fighting For": Reconciling Tradition and Modernity in A Canterbury Tale 7. Building Up a New Britain: Scotland and Post-War Reconstruction in I Know Where I'm Going! 8. "Conservative by Nature, Labour by Experience": The Propaganda of Futurity in A Matter of Life and Death Coda Index
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