This book develops theoretical intersections between theatre and human rights and provides methodologies to investigate human rights questions from within the perspective of theatre as a complex set of disciplines.
This book develops theoretical intersections between theatre and human rights and provides methodologies to investigate human rights questions from within the perspective of theatre as a complex set of disciplines.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gary M. English, a Distinguished Professor of Drama at the University of Connecticut and served as Head of the Department of Drama at the University of Connecticut and as Artistic Director for the Connecticut Repertory Theatre for 15 years.
Inhaltsangabe
Part I Aesthetics Foundations and Methods of Theatre and Human Rights 1. Introduction: Theatre and Human Rights 2. Aesthetics Dramatic Structure and Form in Political Drama 3. Human Rights Theory Institutions and Practice: Collective Rights and the Right to Resist 4. Applied Theatre Devised Theatre Methods and Systems of Analysis: Resistance Remedies for Dehumanization and Reconciliation Part II Greek Drama Palestine and South Africa: Tragedy Conflicting Rights Resistance and Justice 5. Greek Drama: The Law of Necessity Trauma and the Tragic Dilemma 6. Conflicting Rights and Memory in Performance: The Palestinian/Israeli Conflict 7. South Africa Apartheid and the Aftermath 8. Epilogue
Part I Aesthetics Foundations and Methods of Theatre and Human Rights 1. Introduction: Theatre and Human Rights 2. Aesthetics Dramatic Structure and Form in Political Drama 3. Human Rights Theory Institutions and Practice: Collective Rights and the Right to Resist 4. Applied Theatre Devised Theatre Methods and Systems of Analysis: Resistance Remedies for Dehumanization and Reconciliation Part II Greek Drama Palestine and South Africa: Tragedy Conflicting Rights Resistance and Justice 5. Greek Drama: The Law of Necessity Trauma and the Tragic Dilemma 6. Conflicting Rights and Memory in Performance: The Palestinian/Israeli Conflict 7. South Africa Apartheid and the Aftermath 8. Epilogue
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