This book explores television in the post-Reform era, especially the relationship between television and national imagination. It locates Vietnamese television in everyday life, examines new post-Reform views of socialism, discusses differing views of nationality and how these are being brought together.
This book explores television in the post-Reform era, especially the relationship between television and national imagination. It locates Vietnamese television in everyday life, examines new post-Reform views of socialism, discusses differing views of nationality and how these are being brought together.
Giang Nguyen-Thu is a postdoctoral fellow at the Center for Advanced Research in Global Communication, University of Pennsylvania. She is also an on-leave lecturer at the University of Social Sciences and Humanities, Vietnam National University, Hanoi.
Inhaltsangabe
Preface Acknowledgements A note on diacritics and names Introduction: Nation, television, and cultural government 1 Television dramas and the return of normalcy 2 Nostalgia for the new oldness 3 From socialist moralism to market ethics 4 Personal wealth, national pride 5 Collective wound, private healing Conclusion: Fraternity without uniformity References Index
Preface Acknowledgements A note on diacritics and names Introduction: Nation, television, and cultural government 1 Television dramas and the return of normalcy 2 Nostalgia for the new oldness 3 From socialist moralism to market ethics 4 Personal wealth, national pride 5 Collective wound, private healing Conclusion: Fraternity without uniformity References Index
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