Focusing on the overarching theme of religious satire in Adventures of Huckleberry Finn, this study reveals the novel's hidden motive, moral and plot. The author considers generations of criticism spanning the 19th, 20th and 21st centuries, along with new textual evidence showing how Twain's richly evocative style dissects Huck's conscience to propose humane amorality as a corrective to moral absolutes. Jim and Huck emerge as archetypal twins--biracial brothers who prefigure America's color-blind ideals.
Focusing on the overarching theme of religious satire in Adventures of Huckleberry Finn, this study reveals the novel's hidden motive, moral and plot. The author considers generations of criticism spanning the 19th, 20th and 21st centuries, along with new textual evidence showing how Twain's richly evocative style dissects Huck's conscience to propose humane amorality as a corrective to moral absolutes. Jim and Huck emerge as archetypal twins--biracial brothers who prefigure America's color-blind ideals.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Doug Aldridge is a freelance writer and independent Mark Twain scholar who lives in Tennessee's Blue Ridge Mountains. He welcomes comments and questions at MarkTwainandtheBrazenSerpent.com.
Inhaltsangabe
Table of Contents Preface Introduction One. Perspectives on Point of View: A Tale with Three Tellers Two. Precedents for Viewing Huck Finn as Biblical Burlesque and Religious Satire Three. Catching the Brazen Serpent in Clemens' Net of Allusion: Huckleberry Finn, Paradise Lost, and the Bible Four. To Vilify "the Ways of God to Men": Huck Finn, Pilgrim's Progress, The Inferno and Paradise Lost Five. "Dark, Deep-Laid Plans": The Evasion as Religious Satire Six. Author-Real Intention: Huckleberry Finn as Religious Satire Seven. Dancing with the Devil Afterword: "Sam Clemens Arrives at the Pearly Gates: A Dialog between the Author and the Doorman" Appendix A: The First Person Huckleberry Finn Chapter Titles Appendix B: Pap Confronts Huck in Chapter V and Genesis 3: 9-24 Appendix C: Samuel Clemens' Burlesque of Milton's Hell Appendix D: Awakening in Paradise Appendix E: The Duke and the King Introduce Themselves Appendix F: Huck's "Great Debate" and Satan's Chapter Notes Bibliography Index
Table of Contents Preface Introduction One. Perspectives on Point of View: A Tale with Three Tellers Two. Precedents for Viewing Huck Finn as Biblical Burlesque and Religious Satire Three. Catching the Brazen Serpent in Clemens' Net of Allusion: Huckleberry Finn, Paradise Lost, and the Bible Four. To Vilify "the Ways of God to Men": Huck Finn, Pilgrim's Progress, The Inferno and Paradise Lost Five. "Dark, Deep-Laid Plans": The Evasion as Religious Satire Six. Author-Real Intention: Huckleberry Finn as Religious Satire Seven. Dancing with the Devil Afterword: "Sam Clemens Arrives at the Pearly Gates: A Dialog between the Author and the Doorman" Appendix A: The First Person Huckleberry Finn Chapter Titles Appendix B: Pap Confronts Huck in Chapter V and Genesis 3: 9-24 Appendix C: Samuel Clemens' Burlesque of Milton's Hell Appendix D: Awakening in Paradise Appendix E: The Duke and the King Introduce Themselves Appendix F: Huck's "Great Debate" and Satan's Chapter Notes Bibliography Index
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