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Foucault at the Movies brings together all of Foucaultâ s commentary on film, some of it available for the first time in English, along with important contemporary analysis and further extensions of this work. It offers detailed, up-to-date commentary, inviting us to go to the movies with Foucault.
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Foucault at the Movies brings together all of Foucaultâ s commentary on film, some of it available for the first time in English, along with important contemporary analysis and further extensions of this work. It offers detailed, up-to-date commentary, inviting us to go to the movies with Foucault.
Produktdetails
- Produktdetails
- Verlag: Columbia University Press
- Seitenzahl: 264
- Erscheinungstermin: 21. August 2018
- Englisch
- Abmessung: 216mm x 141mm x 25mm
- Gewicht: 324g
- ISBN-13: 9780231167079
- ISBN-10: 0231167075
- Artikelnr.: 50199547
- Verlag: Columbia University Press
- Seitenzahl: 264
- Erscheinungstermin: 21. August 2018
- Englisch
- Abmessung: 216mm x 141mm x 25mm
- Gewicht: 324g
- ISBN-13: 9780231167079
- ISBN-10: 0231167075
- Artikelnr.: 50199547
Michel Foucault, a French historian, philosopher, and social theorist, was one of the most important figures in twentieth-century thought. His work has had enormous influence throughout the humanities and social sciences. Patrice Maniglier is senior lecturer in the department of philosophy at the University of Paris¿Nanterre. Dork Zabunyan is professor of film studies at the University of Paris¿8. Clare O¿Farrell is senior lecturer in the Faculty of Education at the Queensland University of Technology. Her books include Foucault: Historian or Philosopher? (1989) and Michel Foucault (2005).
Translator
s Preface, by Clare O
Farrell Introduction: Michel Foucault
s Cut, by Patrice Maniglier and Dork Zabunyan Part 1. Foucault and Film: A Historical and Philosophical Encounter 1. What Film Is Able to Do: Foucault and Cinematic Knowledge, by Dork Zabunyan 2. Versions of the Present: Foucault
s Metaphysics of the Event Illuminated by Cinema, by Patrice Maniglier Part 2. Michel Foucault on Film 3. Film, History, and Popular Memory 4. Marguerite Duras: Memory Without Remembering 5. Paul
s Story: The Story of Jonah 6. The Nondisciplinary Camera Versus Sade 7. The Asylum and the Carnival 8. Crime and Discourse 9. The Return of Pierre Rivière 10. The Dull Regime of Tolerance 11. The Four Horsemen of the Apocalypse 12. Werner Schroeter and Michel Foucault in Conversation Appendix: Foucault at the Movies
a Program of Films Notes Bibliography Index
s Preface, by Clare O
Farrell Introduction: Michel Foucault
s Cut, by Patrice Maniglier and Dork Zabunyan Part 1. Foucault and Film: A Historical and Philosophical Encounter 1. What Film Is Able to Do: Foucault and Cinematic Knowledge, by Dork Zabunyan 2. Versions of the Present: Foucault
s Metaphysics of the Event Illuminated by Cinema, by Patrice Maniglier Part 2. Michel Foucault on Film 3. Film, History, and Popular Memory 4. Marguerite Duras: Memory Without Remembering 5. Paul
s Story: The Story of Jonah 6. The Nondisciplinary Camera Versus Sade 7. The Asylum and the Carnival 8. Crime and Discourse 9. The Return of Pierre Rivière 10. The Dull Regime of Tolerance 11. The Four Horsemen of the Apocalypse 12. Werner Schroeter and Michel Foucault in Conversation Appendix: Foucault at the Movies
a Program of Films Notes Bibliography Index
Translator
s Preface, by Clare O
Farrell Introduction: Michel Foucault
s Cut, by Patrice Maniglier and Dork Zabunyan Part 1. Foucault and Film: A Historical and Philosophical Encounter 1. What Film Is Able to Do: Foucault and Cinematic Knowledge, by Dork Zabunyan 2. Versions of the Present: Foucault
s Metaphysics of the Event Illuminated by Cinema, by Patrice Maniglier Part 2. Michel Foucault on Film 3. Film, History, and Popular Memory 4. Marguerite Duras: Memory Without Remembering 5. Paul
s Story: The Story of Jonah 6. The Nondisciplinary Camera Versus Sade 7. The Asylum and the Carnival 8. Crime and Discourse 9. The Return of Pierre Rivière 10. The Dull Regime of Tolerance 11. The Four Horsemen of the Apocalypse 12. Werner Schroeter and Michel Foucault in Conversation Appendix: Foucault at the Movies
a Program of Films Notes Bibliography Index
s Preface, by Clare O
Farrell Introduction: Michel Foucault
s Cut, by Patrice Maniglier and Dork Zabunyan Part 1. Foucault and Film: A Historical and Philosophical Encounter 1. What Film Is Able to Do: Foucault and Cinematic Knowledge, by Dork Zabunyan 2. Versions of the Present: Foucault
s Metaphysics of the Event Illuminated by Cinema, by Patrice Maniglier Part 2. Michel Foucault on Film 3. Film, History, and Popular Memory 4. Marguerite Duras: Memory Without Remembering 5. Paul
s Story: The Story of Jonah 6. The Nondisciplinary Camera Versus Sade 7. The Asylum and the Carnival 8. Crime and Discourse 9. The Return of Pierre Rivière 10. The Dull Regime of Tolerance 11. The Four Horsemen of the Apocalypse 12. Werner Schroeter and Michel Foucault in Conversation Appendix: Foucault at the Movies
a Program of Films Notes Bibliography Index