1. Introduction: Celestina and novelistic discourse 2. The prefatory material: the author's ambivalent intentions 3. Genre and the parody of courtly love 4. From parody to satire: clerical and estates satire 5. Verbal humour and the legacy of stagecraft 6. The rhetorical shift from comedy to tragedy: ironic foreshadowing and premonitions of death 7. Is Melibea a tragic figure? 8. Pleberio's lament, Cárcel de Amor, and the Corbacho 9. Conclusion: Rojas' ambivalence towards literature Notes Bibliography Index.
1. Introduction: Celestina and novelistic discourse 2. The prefatory material: the author's ambivalent intentions 3. Genre and the parody of courtly love 4. From parody to satire: clerical and estates satire 5. Verbal humour and the legacy of stagecraft 6. The rhetorical shift from comedy to tragedy: ironic foreshadowing and premonitions of death 7. Is Melibea a tragic figure? 8. Pleberio's lament, Cárcel de Amor, and the Corbacho 9. Conclusion: Rojas' ambivalence towards literature Notes Bibliography Index.
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