"Written by a highly influential post-Stanislavskian practitioner, this book offers an accessible and contemporary interpretation of The Method, setting out techniques and exercises to train and develop actors today. Returning to the roots of Method Acting and the work of Lee Strasberg and Stanislavski, and using Barrouk's unique practice as a lens through which to view it, The Method here is refreshed as something nuanced, contemporary, safe and practical that will benefit all actors - even those most skeptical of it. Practical exercises and activities are woven throughout the text, offering a modern framework in which to consider this practice"--…mehr
"Written by a highly influential post-Stanislavskian practitioner, this book offers an accessible and contemporary interpretation of The Method, setting out techniques and exercises to train and develop actors today. Returning to the roots of Method Acting and the work of Lee Strasberg and Stanislavski, and using Barrouk's unique practice as a lens through which to view it, The Method here is refreshed as something nuanced, contemporary, safe and practical that will benefit all actors - even those most skeptical of it. Practical exercises and activities are woven throughout the text, offering a modern framework in which to consider this practice"--
0. ADVICE TO READERS I. INTRODUCTION 1. The Introduction to the introduction 2. The why and the how 3. Warnings. Wait, what? ...Yeah, that's right, warnings! 4. Rumors 5. Wait, one question II. BRIEF ACCOUNTING OF THE HISTORY OF THE METHOD 1. The origins of the Method 2. The future of the Method III. PLAY THE GAME 1. I have a question to ask you 2. The four barriers to break IV. THE W.W.W. QUESTIONS 1. The questions Where, When and Why 2. Answering the questions 3. The detailed answers to the W.W.W. questions 4. Creating a fictional W.W.W. situation 5. The W.W.W. protocol 6. Your turn! 7. The embodiment of the W.W.W. questions V. EXPLORATION 1. To freak out or not to freak out? 2. Energization 3. Concentration 4. Listening 5. The moment to moment to moment 6. Sources 7. Imagination 8. Experience 9. Reflex sources 10. The first contact 11. The shower VI. Aaaaaaaaaand ACTION(S) 1. Physical actions 2. Psychophysical actions VII. HOW TO REHEARSE CREATE A SCENE 1. First reading, first impressions 2. Giving life to what's in white on the page 3. Breaking down a scene 4. Active analysis & psychophysical structure 5 In continuation. Choices & execution 6. Loosen up the structure 7. Dialogue 8. Monologues 9. Breathing life into the statue 10. A word on tragedy 11. A word on contemporary roles VIII. PLAYING WITH YOUR INSTINCT 1. 50% machine, 50% animal IX. THE "GOOD" & THE "BAD" EGO X. TWO ESSENTIAL FLAWS XI. TO CONCLUDE Index
0. ADVICE TO READERS I. INTRODUCTION 1. The Introduction to the introduction 2. The why and the how 3. Warnings. Wait, what? ...Yeah, that's right, warnings! 4. Rumors 5. Wait, one question II. BRIEF ACCOUNTING OF THE HISTORY OF THE METHOD 1. The origins of the Method 2. The future of the Method III. PLAY THE GAME 1. I have a question to ask you 2. The four barriers to break IV. THE W.W.W. QUESTIONS 1. The questions Where, When and Why 2. Answering the questions 3. The detailed answers to the W.W.W. questions 4. Creating a fictional W.W.W. situation 5. The W.W.W. protocol 6. Your turn! 7. The embodiment of the W.W.W. questions V. EXPLORATION 1. To freak out or not to freak out? 2. Energization 3. Concentration 4. Listening 5. The moment to moment to moment 6. Sources 7. Imagination 8. Experience 9. Reflex sources 10. The first contact 11. The shower VI. Aaaaaaaaaand ACTION(S) 1. Physical actions 2. Psychophysical actions VII. HOW TO REHEARSE CREATE A SCENE 1. First reading, first impressions 2. Giving life to what's in white on the page 3. Breaking down a scene 4. Active analysis & psychophysical structure 5 In continuation. Choices & execution 6. Loosen up the structure 7. Dialogue 8. Monologues 9. Breathing life into the statue 10. A word on tragedy 11. A word on contemporary roles VIII. PLAYING WITH YOUR INSTINCT 1. 50% machine, 50% animal IX. THE "GOOD" & THE "BAD" EGO X. TWO ESSENTIAL FLAWS XI. TO CONCLUDE Index
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