This is first full-length study to consider Richard Brinsley Sheridan's theatrical and political commitments side by side. It offers a challenging new take on a misunderstood writer and presents important new insights into the relationship between theatre and parliament in the eighteenth century.
This is first full-length study to consider Richard Brinsley Sheridan's theatrical and political commitments side by side. It offers a challenging new take on a misunderstood writer and presents important new insights into the relationship between theatre and parliament in the eighteenth century.
David Francis Taylor is Assistant Professor of English at the University of Toronto. He studied at Universities of St. Andrews and Cambridge, and has published articles in Eighteenth-Century Studies, European Romantic Review , and New Theatre Quarterly. He is co-editor of The Oxford Handbook to the Georgian Playhouse (forthcoming).
Inhaltsangabe
List of Abbreviations List of Illustrations Prologue: 'The Atlas of the Stage and State' Part I: Representing (Mis)representations 1: First Principles: the American War and the 'Playwright Patriot' 2: 1. 'Gross Deceptions': Newspapers, Theatre, and the Propaganda War Part II: Rhetorics of Atrocity 3: Tyranny in India; or, Britain's Character Lost. A Tragedy 4: 'Hear Me!': Pizarro and the Politics of Silence Part III: Revolutionary Stage Effects Managing Performance: State, Spectacle, Spectator 'A System of Terror': The Scenography of Incarceration Epilogue: 'Sherry Andrews' and the Antitheatricality of Politics Bibliography
List of Abbreviations List of Illustrations Prologue: 'The Atlas of the Stage and State' Part I: Representing (Mis)representations 1: First Principles: the American War and the 'Playwright Patriot' 2: 1. 'Gross Deceptions': Newspapers, Theatre, and the Propaganda War Part II: Rhetorics of Atrocity 3: Tyranny in India; or, Britain's Character Lost. A Tragedy 4: 'Hear Me!': Pizarro and the Politics of Silence Part III: Revolutionary Stage Effects Managing Performance: State, Spectacle, Spectator 'A System of Terror': The Scenography of Incarceration Epilogue: 'Sherry Andrews' and the Antitheatricality of Politics Bibliography
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