David Neumeyer is Marlene and Morton Meyerson Professor of Music in the Sarah and Ernest Butler School of Music, The University of Texas at Austin. James Buhler is Associate Professor of Music Theory in the Sarah and Ernest Butler School of Music, The University of Texas at Austin.
David Neumeyer is Marlene and Morton Meyerson Professor of Music in the Sarah and Ernest Butler School of Music, The University of Texas at Austin. James Buhler is Associate Professor of Music Theory in the Sarah and Ernest Butler School of Music, The University of Texas at Austin.
David Neumeyer is Marlene and Morton Meyerson Professor of Music in the Sarah and Ernest Butler School of Music, The University of Texas at Austin. James Buhler is Associate Professor of Music Theory in the Sarah and Ernest Butler School of Music, The University of Texas at Austin.
Inhaltsangabe
Preface and Acknowledgments Part 1: Meaning and Interpretation 1. Music in the Vococentric Cinema 2. Tools for Analysis and Interpretation Part 2: Music in the Mix: Casablanca by David Neumeyer and James Buhler 3. Acoustic Stylization: The Film's Sound World 4. Music and Utopia: A Reading of the Reunion Scene 5. The Reunion Scene's Contexts Part 3: Topics and Tropes: Two Preludes by Bach 6. Performers Onscreen 7. Underscore: Four Studies of the Prelude in C Major Notes Bibliography Index
Preface and Acknowledgments Part 1: Meaning and Interpretation 1. Music in the Vococentric Cinema 2. Tools for Analysis and Interpretation Part 2: Music in the Mix: Casablanca by David Neumeyer and James Buhler 3. Acoustic Stylization: The Film's Sound World 4. Music and Utopia: A Reading of the Reunion Scene 5. The Reunion Scene's Contexts Part 3: Topics and Tropes: Two Preludes by Bach 6. Performers Onscreen 7. Underscore: Four Studies of the Prelude in C Major Notes Bibliography Index
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