Drawing upon a range of sources, this book explores the part played by music, especially group-singing, in the unfolding of the Protestant Reformation in Strasbourg. It considers both ecclesiastical and 'popular' songs in the city, examining how both genres fitted into people's lives during this time of strife, and how the provision and disseminati
Drawing upon a range of sources, this book explores the part played by music, especially group-singing, in the unfolding of the Protestant Reformation in Strasbourg. It considers both ecclesiastical and 'popular' songs in the city, examining how both genres fitted into people's lives during this time of strife, and how the provision and disseminati
Dr Daniel Trocmé-Latter is Fellow and Director of Studies in Music, Homerton College, Cambridge, UK.
Inhaltsangabe
Introduction The Church and the 'wonderful art' of music Abolishing the mass The move towards conformity Song texts and their messages The 1541 Gesangbuch and Strasbourg's external influence Conclusions Appendices Bibliography Index.
Introduction The Church and the 'wonderful art' of music Abolishing the mass The move towards conformity Song texts and their messages The 1541 Gesangbuch and Strasbourg's external influence Conclusions Appendices Bibliography Index.
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