This book shows how over the hundred years between the Vienna Congress and the dissolution of the Empire, the waltz altered from signifier of upper-class artifice-covering with glitz and glamour the poverty and war central to the time-to the link between the three classes, between man and nature, and between Viennese and "Other."
This book shows how over the hundred years between the Vienna Congress and the dissolution of the Empire, the waltz altered from signifier of upper-class artifice-covering with glitz and glamour the poverty and war central to the time-to the link between the three classes, between man and nature, and between Viennese and "Other."
Danielle Hood received her PhD in musicology from the University of Leeds.
Inhaltsangabe
Chapter 1. Topics in Fin-de-Siècle Vienna Chapter 2. Evolution of Viennese Cultural-Historical Topics: Romance, Freud, and Authenticity Chapter 3. The Waltz and the "Other" Chapter 4. Narrative and Deception Chapter 5. The Development of the Uncanny Narrative Chapter 6 Part 1. The Waltz and the Uncanny in Mahler's Seventh Symphony Chapter 6 Part 2. Mahler's Scherzos and the Uncanny Waltz Chapter 7. The Waltz as Pivot Point in Webern's Symphony Op. 21
Chapter 1. Topics in Fin-de-Siècle Vienna Chapter 2. Evolution of Viennese Cultural-Historical Topics: Romance, Freud, and Authenticity Chapter 3. The Waltz and the "Other" Chapter 4. Narrative and Deception Chapter 5. The Development of the Uncanny Narrative Chapter 6 Part 1. The Waltz and the Uncanny in Mahler's Seventh Symphony Chapter 6 Part 2. Mahler's Scherzos and the Uncanny Waltz Chapter 7. The Waltz as Pivot Point in Webern's Symphony Op. 21
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