In this book the tools of spectral analysis are applied via graphics to musical sounds, especially those coming from a piano, with emphasis on the visualization of musical sounds rather than the mathematics behind it. The aim is to give a different and insightful view of musical instruments.
In this book the tools of spectral analysis are applied via graphics to musical sounds, especially those coming from a piano, with emphasis on the visualization of musical sounds rather than the mathematics behind it. The aim is to give a different and insightful view of musical instruments.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David M. Koenig was born in Columbus, Ohio and lived in the nearby town of Grove City until age 17. He attended Bates College and the University of Chicago where he graduated with a B.S. in Chemistry. After obtaining a M.S. in Chemical Engineering at the University of Connecticut he received a Ph.D. in chemical engineering from The Ohio State University. He worked at Corning, Inc. for 27 years in the area of process control and analysis and wrote a book on that subject in 1991. After retirement he wrote a book on process control and then got interested in applying the analysis tools to the piano which led to this book. Delwin D. Fandrich is Piano Research, Design and Manufacturing Consultant at Fandrich Piano Company.
Inhaltsangabe
* Part 1: Some Basic Sound Waves and Some Simple Tools * 1: An Introduction to Some Elementary Waves * 2: The Basic Tools of Spectral Analysis * 3: Analysis of Several Common Musical Instruments * 4: Harmonics in Musical Sounds * Part 2: A Visual Analysis of Vibrating Objects (Strings, Membranes, Bars, Plates) * 5: The Vibrating String * 6: The Vibrating Bar * 7: The Vibrating Membrane * 8: The Vibrating Plate * Part 3: The Piano * 9: An Introduction to Pianos * 10: Some Individual Piano Notes and Interactions Between Them * 11: The Missing Fundamental * 12: Octave Stretching, Inharmonicity and Railsback Curves * 13: Beating, Unisons and Tuning * 14: Two Dimensional Graphical Metrics * 15: Three Dimensional Graphical Metrics * 16: An Investigation into Hammer Knock and Key Striking * 17: Evaluation of a Wapin Bridge Conversion * 18: Similarities between Pianos and Repeatability of Data Gathering Methods * 19: Two Metrics Applied to Other Instruments * 20: Use of the Metrics in Production and Development * 21: Comments by Delwin Fandrich * Appendix 1. Mathematical Basis for Part One * Appendix 2. Mathematical Basis for Part Two * Appendix 3. Mathematical Basis for Part Three * Appendix 4. Experimental Setup * Appendix 5. A Brief Exposure to Matlab
* Part 1: Some Basic Sound Waves and Some Simple Tools * 1: An Introduction to Some Elementary Waves * 2: The Basic Tools of Spectral Analysis * 3: Analysis of Several Common Musical Instruments * 4: Harmonics in Musical Sounds * Part 2: A Visual Analysis of Vibrating Objects (Strings, Membranes, Bars, Plates) * 5: The Vibrating String * 6: The Vibrating Bar * 7: The Vibrating Membrane * 8: The Vibrating Plate * Part 3: The Piano * 9: An Introduction to Pianos * 10: Some Individual Piano Notes and Interactions Between Them * 11: The Missing Fundamental * 12: Octave Stretching, Inharmonicity and Railsback Curves * 13: Beating, Unisons and Tuning * 14: Two Dimensional Graphical Metrics * 15: Three Dimensional Graphical Metrics * 16: An Investigation into Hammer Knock and Key Striking * 17: Evaluation of a Wapin Bridge Conversion * 18: Similarities between Pianos and Repeatability of Data Gathering Methods * 19: Two Metrics Applied to Other Instruments * 20: Use of the Metrics in Production and Development * 21: Comments by Delwin Fandrich * Appendix 1. Mathematical Basis for Part One * Appendix 2. Mathematical Basis for Part Two * Appendix 3. Mathematical Basis for Part Three * Appendix 4. Experimental Setup * Appendix 5. A Brief Exposure to Matlab
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