This book uses a sound studies framework to explore artistic research methods and practices in ethnography as they relate to religious recitation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Diana Chester is a Lecturer in Media and Communications at the University of Sydney, Australia.
Inhaltsangabe
List of Figures List of Recordings Acknowledgements Note Introduction 1. Recording Sound in Context: Sound Mapping 2. Dahab Egypt 2003 3. Mosque Alarm Clock: Abu Dhabi UAE 2011 4. Sounding the Adhan 5. Old Fishmarket Abu Dhabi United Arab Emirates 2010 6. Reykjavik Iceland 2017 7. A Method for Recording 8. Florence Italy 2017 9. Christchurch New Zealand 2019 10. Recording as Translation 11. Yangon Myanmar 2014 12. Bali Indonesia 2017 13. Sound as Memory 14. Al Dabb'iya United Arab Emirates 2014 15. Copenhagen Denmark 2017 16. Making Scholarly Art 17. Ezhara Beach India 2015 18. Protestors For Us - Sarasota Florida USA 2016 19. The Sonic Context 20. Bangalore India 2010 21. Stockholm Sweden 2017 22. Ethnography and the Sonic Frame 23. Singapore 2014 24. Madha Oman 2016 Conclusion Bibliography
List of Figures List of Recordings Acknowledgements Note Introduction 1. Recording Sound in Context: Sound Mapping 2. Dahab Egypt 2003 3. Mosque Alarm Clock: Abu Dhabi UAE 2011 4. Sounding the Adhan 5. Old Fishmarket Abu Dhabi United Arab Emirates 2010 6. Reykjavik Iceland 2017 7. A Method for Recording 8. Florence Italy 2017 9. Christchurch New Zealand 2019 10. Recording as Translation 11. Yangon Myanmar 2014 12. Bali Indonesia 2017 13. Sound as Memory 14. Al Dabb'iya United Arab Emirates 2014 15. Copenhagen Denmark 2017 16. Making Scholarly Art 17. Ezhara Beach India 2015 18. Protestors For Us - Sarasota Florida USA 2016 19. The Sonic Context 20. Bangalore India 2010 21. Stockholm Sweden 2017 22. Ethnography and the Sonic Frame 23. Singapore 2014 24. Madha Oman 2016 Conclusion Bibliography
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