Credo - Banerjee, Rita; Szokolyai, Diana Norma
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CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the frontline. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto. CREDO creates a bridge from the philosophical to the practical, presenting a triad…mehr

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Produktbeschreibung
CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the frontline. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto. CREDO creates a bridge from the philosophical to the practical, presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates authors today.
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Autorenporträt
Rita Banerjee is the editor of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing (C&R Press, May 2018) and the author of the poetry collection Echo in Four Beats (Finishing Line Press, March 2018), which was a finalist for the Red Hen Press Benjamin Saltman Award, Three Mile Harbor Poetry Prize, and Aquarius Press / Willow Books Literature Award, the novella "A Night with Kali" in Approaching Footsteps (Spider Road Press, 2016), and the poetry chapbook Cracklers at Night (Finishing Line Press, 2010). She earned her doctorate in Comparative Literature from Harvard and her M.F.A. in Creative Writing from the University of Washington, and her work appears in the Academy of American Poets, Poets & Writers, Nat. Brut., The Rumpus, The Scofield, Hyphen Magazine, Electric Literature, Painted Bride Quarterly, VIDA: Women in Literary Arts, Los Angeles Review of Books, and elsewhere. She is the Executive Creative Director of the Cambridge Writers' Workshop and an Associate Scholar of Comparative Literature at Harvard University, and teaches on modernism, art-house film, and South Asian literary theory at the Ludwig Maximilian University of Munich in Germany. She is the judge for the 2017 Minerva Rising "Dare to Speak" Poetry Chapbook Contest, and she is currently working on a novel about a Tamil-Jewish American family in crisis during a post-authoritarian regime, a book on South Asian literary modernisms, a documentary film about race and intimacy in the United States and in France, and a collection of essays on race, sex, politics, and everything cool.