A far-reaching analysis of Clément Marot's poetry (mainly his Psalm paraphrases) shows that this poet was much more than a frivolous court poet; he was touched by the humanist yearning to restore old texts (in this case the Jewish Psalter) to their original glory. In his translations he was inspired by Martin Bucer's Commentary.
A far-reaching analysis of Clément Marot's poetry (mainly his Psalm paraphrases) shows that this poet was much more than a frivolous court poet; he was touched by the humanist yearning to restore old texts (in this case the Jewish Psalter) to their original glory. In his translations he was inspired by Martin Bucer's Commentary.
Dick Wursten (1960), PhD in Church History, VU University Amsterdam (2009), is active on the interface between theology, history, and culture (especially poetry and music), with a preference for early sixteenth-century France. He lives in Antwerp and in daily life works for the religious education inspection in Flanders.
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