Emphasizing films such as Batman: The Movie that have received little scholarly attention, this book presents a new and more coherent definition of the comic book film as a stylistic approach rather than a genre.
Emphasizing films such as Batman: The Movie that have received little scholarly attention, this book presents a new and more coherent definition of the comic book film as a stylistic approach rather than a genre.
* Acknowledgments * Introduction * Chapter 1. The Six Modes of Interaction between Comics and Film * Chapter 2. Vandalizing the Fourth Wall: Word-Image Hybridity and a Comic Book Cinema of Attractions * Chapter 3. These Panels Have Been Formatted to Fit Your Screen: Remediating the Comics Page through the Cinematic Frame * Chapter 4. The Privileged Instant: Remediating Stasis as Movement * Chapter 5. The Polymedial Comic Book Film * Conclusion * Notes * Bibliography * Index
* Acknowledgments * Introduction * Chapter 1. The Six Modes of Interaction between Comics and Film * Chapter 2. Vandalizing the Fourth Wall: Word-Image Hybridity and a Comic Book Cinema of Attractions * Chapter 3. These Panels Have Been Formatted to Fit Your Screen: Remediating the Comics Page through the Cinematic Frame * Chapter 4. The Privileged Instant: Remediating Stasis as Movement * Chapter 5. The Polymedial Comic Book Film * Conclusion * Notes * Bibliography * Index
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