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During the reconstruction of West Germany's cultural life after World War II, opera resumed its central place in civic life, but German cultural traditions were tainted by the horrors of National Socialism. Emily Richmond Pollock's Opera After the Zero Hour explores composers' experiments to find expressive strategies and traditional reference points could still work for new opera, and promotes a more nuanced understanding of the relationship between opera and modernism.

Produktbeschreibung
During the reconstruction of West Germany's cultural life after World War II, opera resumed its central place in civic life, but German cultural traditions were tainted by the horrors of National Socialism. Emily Richmond Pollock's Opera After the Zero Hour explores composers' experiments to find expressive strategies and traditional reference points could still work for new opera, and promotes a more nuanced understanding of the relationship between opera and modernism.
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Autorenporträt
Emily Richmond Pollock is a member of the faculty in the Music and Theater Arts Section of the Massachusetts Institute of Technology. She earned her PhD in music history and literature from the University of California, Berkeley in 2012. Her articles and reviews have appeared in the Journal of Musicology, Journal of the American Musicological Society, Opera Quarterly , and Notes. Her research has been supported by the German Academic Exchange Service (DAAD), the Paul Sacher Stiftung, and the Class of 1947 at MIT.