Arguing that the commercial film industry reflects white domination of American society, this book traces an African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks. It also looks at the controversies surrounding role choices by stars like Sidney Poitier, Eddie Murphy, and Whoopie Goldberg.
Arguing that the commercial film industry reflects white domination of American society, this book traces an African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks. It also looks at the controversies surrounding role choices by stars like Sidney Poitier, Eddie Murphy, and Whoopie Goldberg.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ed Guerrero, Assistant Professor of English at the University of Delaware, lectures and publishes widely on black cinema and has worked on documentary film projects for PBS and Island Records.
Inhaltsangabe
Illustrations Acknowledgments Introduction 1. From Birth To Blaxploitation: Hollywood's Inscription of Slavery 2. Slaves, Monsters, and Others: Racial Fragment, Metaphor, and Allegory on the Commercial Screen 3. The Rise and Fall of Blaxploitation 4. Recuperation, Representation, and Resistance: Black Cinema through the 1980s 5. Black Film in the 1990s: The New Black Movie Boom and Its Portents Notes Bibliography Index
Illustrations Acknowledgments Introduction 1. From Birth To Blaxploitation: Hollywood's Inscription of Slavery 2. Slaves, Monsters, and Others: Racial Fragment, Metaphor, and Allegory on the Commercial Screen 3. The Rise and Fall of Blaxploitation 4. Recuperation, Representation, and Resistance: Black Cinema through the 1980s 5. Black Film in the 1990s: The New Black Movie Boom and Its Portents Notes Bibliography Index
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