Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of Barbet Schroeder, Paul Schrader and the Dardenne Brothers.
Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of Barbet Schroeder, Paul Schrader and the Dardenne Brothers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edward Lamberti has a PhD in Film Studies from King's College London and he works at the BBFC. He is the editor of Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age(2012).
Inhaltsangabe
List of Figures Acknowledgements Introduction: Textual Performances in Levinas and Film Part I: The Dardenne Brothers: An Ethics Without Rest 1: Je Pense à Vous and La Promesse: From Describing to Performing 2: Levinasian Responsibility in Le Fils 3: The Kid with a Bike and the Reframing of Ethics Part II: Barbet Schroeder: Devoted to the Other 4: Maîtresse: Direction Without Domination 5: The Ethical and the Juridical in Reversal of Fortune and Terror's Advocate 6: Our Lady of the Assassins and Levinas's Ethics as First Philosophy Part III: Paul Schrader: An Unexpected Ethics 7: American Gigolo and the Ethics of Falling in Love 8: Levinasian Limits of Performativity in Mishima: A Life in Four Chapters 9: Passivity and Responsibility in The Comfort of Strangers, Dominion: Prequel to the Exorcist and Adam Resurrected Conclusion: Levinasian Films in the World Notes Bibliography Index
List of Figures Acknowledgements Introduction: Textual Performances in Levinas and Film Part I: The Dardenne Brothers: An Ethics Without Rest 1: Je Pense à Vous and La Promesse: From Describing to Performing 2: Levinasian Responsibility in Le Fils 3: The Kid with a Bike and the Reframing of Ethics Part II: Barbet Schroeder: Devoted to the Other 4: Maîtresse: Direction Without Domination 5: The Ethical and the Juridical in Reversal of Fortune and Terror's Advocate 6: Our Lady of the Assassins and Levinas's Ethics as First Philosophy Part III: Paul Schrader: An Unexpected Ethics 7: American Gigolo and the Ethics of Falling in Love 8: Levinasian Limits of Performativity in Mishima: A Life in Four Chapters 9: Passivity and Responsibility in The Comfort of Strangers, Dominion: Prequel to the Exorcist and Adam Resurrected Conclusion: Levinasian Films in the World Notes Bibliography Index
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