Explores the ideological use of Carthage in the most authoritative of the Augustan literary texts, the Aeneid of Virgil. Addressed to students and scholars of the classical world interested in the literature and ideology produced under autocratic regimes, the representations of enemies and the relationship between history, poetry, and myth.
Explores the ideological use of Carthage in the most authoritative of the Augustan literary texts, the Aeneid of Virgil. Addressed to students and scholars of the classical world interested in the literature and ideology produced under autocratic regimes, the representations of enemies and the relationship between history, poetry, and myth.
Elena Giusti is Assistant Professor of Latin Literature and Language at the University of Warwick. She previously taught Classics at the Universities of Glasgow and Cambridge, where she was Research Fellow in Classics at St John's College.
Inhaltsangabe
Introduction: tractatio, re-tractatio, revisionist history 1. Carthaginian constructions, since the Middle Republic 2. Polarity and analogy in Virgil's Carthage 3. Virgil's revisionist Epic and Livy's revisionist history 4. Virgil's Punic/Civil Wars as unspeakable Conclusion: all the perfumes of Arabia.
Introduction: tractatio, re-tractatio, revisionist history 1. Carthaginian constructions, since the Middle Republic 2. Polarity and analogy in Virgil's Carthage 3. Virgil's revisionist Epic and Livy's revisionist history 4. Virgil's Punic/Civil Wars as unspeakable Conclusion: all the perfumes of Arabia.
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