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A wise, visionary debut on ecological and human resistance, perfect for readers of Joy Harjo and Tracy K. Smith, and fans of the earth-body artwork of Ana Mendieta The Brush is an incantatory, fearless exploration of collective trauma - and its horrific relevance in today's Colombia, where mass killings continue. Told from the voices Pablo, Ester, and the Brush itself, Hernández-Pachón's poem is an astounding response to a traumatic event in recent Colombian history: the massacre in the village of El Salado between February 16 and 21, 2000. Paramilitary forces tortured and killed sixty people,…mehr

Produktbeschreibung
A wise, visionary debut on ecological and human resistance, perfect for readers of Joy Harjo and Tracy K. Smith, and fans of the earth-body artwork of Ana Mendieta The Brush is an incantatory, fearless exploration of collective trauma - and its horrific relevance in today's Colombia, where mass killings continue. Told from the voices Pablo, Ester, and the Brush itself, Hernández-Pachón's poem is an astounding response to a traumatic event in recent Colombian history: the massacre in the village of El Salado between February 16 and 21, 2000. Paramilitary forces tortured and killed sixty people, interspersing their devastating violence with music in the town square. Pablo Rodríguez steps thirteen paces out into the night and buries a wooden box. Its contents: a chain, a medallion, a few overexposed photographs, and finally, a deed. He burrows into the ground without knowing quite why, but with the certainty of a heavy change pressing through the air, of fear settling "like a cat in his throat." Meanwhile, his wife Ester - a sharpshooter and keeper of all village secrets - slips into her fifth dream of the night. As Ester tosses and Pablo pats his fresh mound of earth, another character emerges in Eliana Hernández-Pachón's vivid and prophetic triptych. The Brush is a tangled grove, a thicket of vines, an orchid pummeled with rain. It is also an extraordinary depiction of ecological resistance, of the natural world that both endures human cruelty and lives on in spite of it.
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Autorenporträt
Eliana Hernández-Pachón received her BA in Anthropology from Universidad de los Andes in Bogotá, Colombia. Her research interests include contemporary Latin American literature and visual art, gender studies, and environmental humanities. She received an MFA in Creative Writing from New York University. The Brush, her polyphonic account of the El Salado massacre in Colombia, received the Colombia National Poetry Prize in 2020. Robin Myers is a Mexico City-based poet and translator. Her latest book-length translations include Bariloche by Andrés Neuman (2023), The Book of Explanations by Tedi López Mills (2022), and Copy by Dolores Dorantes (2022). A 2023 NEA Translation Fellow, Robin's collections of poetry have been published bilingually in Mexico, Argentina, Chile and Spain.