James William Newlandâ s (1810-1857) career as a showman daguerreotypist ?began in the United States but ?expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India.
James William Newlandâ s (1810-1857) career as a showman daguerreotypist ?began in the United States but ?expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Elisa deCourcy is a specialist in early photography and a Research Fellow in the Research School of Humanities and the Arts at the Australian National University. Martyn Jolly is Honorary Associate Professor in the School of Art and Design at the Australian National University and was Lead Chief Investigator on the Australian Research Council Project 'Heritage in the Limelight: The Magic Lantern in Australia and the World'.
Inhaltsangabe
Introduction 1. The Americas: Competing photographic practices across shifting political borders 2. The Pacifi c: Photographing Indigenous royalty amid British and French imperial tensions 3. Australia: Daguerrean galleries, dissolving views and visual spectacle 4. India: The heart of empire 5. Britain and India: Brokering new experiences and spaces for photography and performance Conclusion
Introduction 1. The Americas: Competing photographic practices across shifting political borders 2. The Pacifi c: Photographing Indigenous royalty amid British and French imperial tensions 3. Australia: Daguerrean galleries, dissolving views and visual spectacle 4. India: The heart of empire 5. Britain and India: Brokering new experiences and spaces for photography and performance Conclusion
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