Singing Lyric in the Kingdom of Naples - Elmi, Elizabeth Grace
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This book examines the predominantly oral practice of singing lyric poetry among members of the Neapolitan aristocracy in southern Italy during the late-fifteenth century. The tradition of singing Neapolitan lyric developed and gradually gained ascendancy in the Kingdom of Naples over the nearly sixty years of the Aragonese dynasty (1442-1501)-both in the capital city of Naples and at feudal courts throughout the Kingdom's rural provinces. The surviving song repertory and its preservation in late-fifteenth-century musical and literary sources bear witness not only to these varied performance…mehr

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Produktbeschreibung
This book examines the predominantly oral practice of singing lyric poetry among members of the Neapolitan aristocracy in southern Italy during the late-fifteenth century. The tradition of singing Neapolitan lyric developed and gradually gained ascendancy in the Kingdom of Naples over the nearly sixty years of the Aragonese dynasty (1442-1501)-both in the capital city of Naples and at feudal courts throughout the Kingdom's rural provinces. The surviving song repertory and its preservation in late-fifteenth-century musical and literary sources bear witness not only to these varied performance contexts, but also to the inherently communal aspect of the tradition as a whole. Combining musicological, ethnomusicological, and literary theoretical approaches, it interrogates the fixity and purpose of this written repertory in preserving a fluid and dynamic oral practice that flourished as the artistic expression of a subjugated class-Neapolitan nobles and intellectuals living under Aragonese rule. The manuscript collections, historical descriptions, theoretical and literary works that preserve and transmit the records of this oral practice demonstrate how writing was used to record, recollect, recreate, and ultimately memorialize a communal practice of song-making-lending value and legitimacy to the Kingdom's local aristocracy-during a tumultuous time in the history of southern Italy. Some copies, perhaps preserved on less durable media, have likely been lost while others preserve traces of orality with varying levels of fixity and transformation. How and why these records were created and preserved is the central question that this study seeks to answer.
Autorenporträt
Elizabeth Elmi is an interdisciplinary scholar specializing in the cultural intersections of music and lyric poetry from late medieval and Renaissance Italy with a particular focus on the occupied territories of the Kingdom of Naples. She holds a Ph.D. in musicology and an M.A. in Italian literature from Indiana University. Her work appears in both English and Italian in Historical Performance (Indiana University Press) and the "Dizionario biografico degli Italiani" (Istituto della Enciclopedia Italiana). Her research has been recognized and supported by the American Musicological Society Eugene K. Wolf Grant (2016), the International Musicological Society Outstanding Dissertation Award (2020), a Fulbright U.S. Scholar Grant to the Università degli Studi della Basilicata (2022), and the Paul Mellon Rome Prize in Renaissance and Early Modern Studies from the American Academy in Rome. Currently, she is Assistant Professor of Music at Williams College.