Drawing on existing vulnerability studies, this book evaluates how music-making can foster both positive receptivity and negative susceptibility, depending on its delineation of self-identity, social identity, and space, and its embodiment through aural receptivity, mimetic participation, and affective transmission.
Drawing on existing vulnerability studies, this book evaluates how music-making can foster both positive receptivity and negative susceptibility, depending on its delineation of self-identity, social identity, and space, and its embodiment through aural receptivity, mimetic participation, and affective transmission.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Elizabeth H. MacGregor is currently the Joanna Randall- MacIver Junior Research Fellow at Somerville College, University of Oxford. She holds a PhD in music education from the University of Sheffield.
Inhaltsangabe
1. Introducing musical vulnerability: Policy, pedagogy, and phenomenology 2. Inherent musical vulnerability: Music's semantic and somatic properties 3. Situational musical vulnerability: Music's institutional and interpersonal mediation 4. Characterising pupils' musical vulnerability 5. Characterising teachers' musical vulnerability 6. Observing musical vulnerability: East Fen High School 7. Experiencing musical vulnerability: Ethan, Greg, Iniya, and Juliette 8. Harnessing musical vulnerability: Implications and conclusions