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"With subtlety and rigor, Esther Gabara deftly expands the horizon of photographic history and redefines the contours of twentieth-century modernism in the Americas. Focusing on the social and cultural 'ethos' of aesthetic practice in both Mexico and Brazil, she provides a provocative corrective to formalist definitions that dominate the field and demonstrates that the full story of photographic modernism has yet to be told."--Jennifer A. Gonzalez, author of "Subject to Display: Reframing Race in Contemporary Installation Art"